主观主义摄影是一种在第二次世界大战后形成的比抽象派摄影更为“抽象”的摄影艺术流派,所以又称作“战后派”。Subjectivismphotographyisamore"abstract"photographyartschoolformedaftertheSecondWorldWar,soitisalsocalled"postwarschool".
它是存在主义哲学思潮在摄影艺术领域中的反映。其创始人是德国摄影家奥特·斯坦内特。他认为,“摄影是本来具有发挥自己能力的宽阔领域,也具有高度的主观能动作用。但目前却成了一种机械的写实主义”。于是提出了“摄影艺术主观化的艺术主张。极力主张摄影艺术的终极应该是提示摄影家自身的某些朦胧意念和表现不可言传的内心状态和下意识活动。”主观摄影就是人格化、个性化的摄影。这便是该流派的艺术纲领。主观摄影的艺术家们极度强调自己的创造个性,蔑视一切已有艺术法则和审美标准。该派理论家公开表示,“主观摄影不仅仅是一种试验性的图像艺术,而是一种自由的不受限制的创造性艺术。”“我们可以任意使用技术手段去创造照片。”ItisthereflectionofExistentialisminthefieldofphotography.ItsfounderisGermanphotographerOttoSteiner.Hebelievesthat"photographyisabroadfieldthatoriginallyhastheabilitytoplayitsown,andalsohasahighlysubjectiveanddynamicrole.Butnowithasbecomeakindofmechanicalrealism.Therefore,itputsforwardtheideaof"subjectivephotographyart".Itisstronglyadvocatedthattheultimategoalofphotographyshouldbetoremindphotographersoftheirownhazyideasandtheirunspeakableinnerstateandsubconsciousactivities."Subjectivephotographyisakindofpersonalizedphotography.Thisistheartisticprogramoftheschool.Theartistsofsubjectivephotographyemphasizetheircreativepersonalityextremelyanddespisealltheexistingartisticrulesandaestheticstandards."Subjectivephotographyisnotonlyakindofexperimentalimageart,butalsoakindoffreeandunrestrictedcreativeart,"theschooltheoristssaidpublicly"Wecanuseanytechnologytocreatephotos.
"西方人体摄影的嬗变世界艺术史上,在希腊和欧洲文艺复兴时期出现过人体艺术的辉煌时期,其后诞生的摄影艺术,在经历了初期令人震惊的再现客观现实的艺术表现力后,富有探索精神和创造力的摄影家就开始向人体摄影领域的突进。1857年瑞典摄影家、后来留居英国的雷达兰,拍摄了一幅在摄影史上奉为经典之作的《人生的两条道路》,这幅情节丰富,场面浩繁的画面,运用了大量的人体作品,主题是观善惩恶,以白鬓长者为中心,两边两组人物体现了两种不同的道德观念、生活理想和人生历程。但是它也受到了少数人的攻击,说它动用那么多裸女,姿态粗野淫糜,流于色情等等。可见,古今中外,人体艺术无论它有多么积极的思想意义或高明的艺术处理,都会受到一些人的非难和攻击,这恐怕已成为一种规律性反应了。Intheevolutionofwesternhumanbodyphotographyintheworldarthistory,therewasagloriousperiodofhumanbodyartinGreeceandEuropeanRenaissance.Aftertheshockingartisticexpressionofreappearingobjectiverealityintheearlystage,thephotographerwithexplorationspiritandcreativitybegantomakeabreakthroughinthefieldofhumanbodyphotography.In1857,aSwedishphotographerandlateraBritishresident,radaran,tookapictureoftworoadsinlife,whichisregardedasaclassicworkinthehistoryofphotography.Thispictureisrichinplotsandalargenumberofscenes.Itusesalargenumberofhumanbodyworks.Thethemeistoobservegoodandpunishevil,focusingonthewhitesideburns.Twogroupsofcharactersonbothsidesembodytwodifferentmoralconcepts,lifeidealsandlifeexperiencesCheng.Butithasalsobeenattackedbyasmallnumberofpeople,sayingthatitusessomanynakedwomen,hasaroughandobsceneattitude,ispornographicandsoon.Itcanbeseenthat,atalltimesandinallovertheworld,nomatterhowactivethehumanbodyartisinitsideologicalsignificanceorhowwellitishandledbyart,itwillbecriticizedandattackedbysomepeople,whichmayhavebecomearegularresponse.
西方人体摄影的发展趋势是非常明显的。在发展常规的传统的人体摄影的同时,也风行表达强烈的主观感受、现代摄影语言、创造多种流派、风格的作品,以至出现了畸形、切割、重组、神秘、荒诞、丑陋的意境。如杰瑞·郁斯曼的象征意味的人体摄影、罗杰·麦丁的《随意的人体》、托德·窝尔克的原始硕大造型的人体摄影、罗伯特·亨内斯钦及启德苏·俄克哈马等的切割重组的人体摄影、李思丽·克罗娜斯的荒诞意味人体摄影及宁达、康偌道尼·米切尔等的有性感意味的人体摄影等。Thedevelopmenttrendofwesternhumanbodyphotographyisveryobvious.Inthedevelopmentoftraditionalhumanbodyphotography,itisalsopopulartoexpressstrongsubjectivefeelings,modernphotographylanguage,andcreateworksofvariousschoolsandstyles,resultingintheartisticconceptionofdeformity,cutting,reorganization,mystery,absurdityandugliness.Forexample,Jerryyusman'ssymbolichumanbodyphotography,RogerMcGrady'srandomhumanbody,ToddWolke'soriginallargescalehumanbodyphotography,RobertHennessy'sandqidsuokhama'scuttingandreorganizationofhumanbodyphotography,Lesliekronas'sabsurdhumanbodyphotographyandnindaandconrodneyMitchell'ssexypeopleBodyphotography,etc.以上就是对济南艺考摄影培训对主观主义摄影的叙述的详细介绍,想要了解更多请点击官网http://www.dysypx.com
TheaboveisadetailedintroductiontothenarrationofsubjectivismphotographyinJinanartexaminationphotographytraining.Formoreinformation,pleaseclickhttp://www.dysypx.com