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    色彩对比原理的透视效果
    2017/9/28 16:49:07

    摄影者可以在前景纳入色彩鲜艳的花卉,或安排一个身着红色服饰(或用其它道具)的模特点缀,从而使整幅画活跃起来,营造视觉的强烈对比。在单一色调的景物中,只要有很少的不同色彩的物体在其中,这个物体就显得特别显眼,这就是色彩对比的原理。需要注意的是,在构图时,色调突出的景物所占的画面比例不宜过大,否则会破坏雾景应有的视觉效果。

    Photographers can mix colorful flowers in the foreground, or arrange a model dressed in red (or other props) to make the whole picture active and create a strong contrast of vision. In a single color scene, as long as there are very few different colors in which the object is particularly conspicuous, this is the principle of color contrast. It should be noted that when the composition of the picture, the color of the scene highlighted by the proportion of the screen should not be too large, otherwise it will destroy the fog due to visual effects.

    摄影的成功与否、在很大的程度上取决于对光线的运用结果。光线直接影响色彩和影调,影响线条和形态。因此,在同一景点,拍摄同一景物,如果光线不同,就会产生不同的构图意境和不同气氛的照片。

    The success of photography depends to a great extent on the use of light. Light and shadow effects directly affect the color, lines and shapes. Therefore, in the same scenic spot, shooting the same scene, if the light is different, will produce different composition, artistic conception and different atmosphere photos.

    济南艺考摄影培训价格

    1、顺光,光线来自景物的前方,景物不会有阴影,反差小,其色彩、线条、形态、气氛都能得到真实的表现。

    1, the light, light from the front of the scene, there will be no shadow of the scene, contrast is small, its color, lines, shape, atmosphere can be real performance.

    2、侧光,光线来自被摄景物的一侧,景物便会产生阴影,形成反差,使形态、线条、质感得以突出,从而产生多变的构图。这是摄影时所经常采用的。

    2, side light, light from the side of the scene being photographed, the scene will produce shadows, form contrast, so that the shape, lines, texture can be prominent, resulting in a variety of composition. This is often used in photography.

    3、逆光,光线来自被摄景物的背面,景物大部分处在阴影之中,而强烈的轮廓光可匀勒出物体的清晰形状,从而创造出鲜明而简洁的画面。

    3, light, light from the back of the subject, most scenes in the shadows, and strong light can be sketched out a clear outline of the shape of the object, so as to create a clear and concise picture.

    4、漫射光,在这种光线下,景物没有明显的反差,色调平淡而变化少。因而景物的形态、线条和质感都不太明显。

    4, diffuse light, in this light, there is no obvious contrast of the scene, the tone is dull and change little. As a result, the shape, line and texture of the scenery are not obvious.

    雾天的光线是散射光,物体形态和画面的色彩较难表现出来,近景较为清晰,景物愈远愈模糊。旅游摄影者在选景时,应取具有一定轮廓,色调有明暗对比的景物;处理好前后景的关系,表现出画面的层次。

    Fog light is scattered light, object shape and color of the picture is difficult to show, close range is more clear, the more distant the scene, the more blurred. When choosing a scene, a tourist photographer should take a picture with a definite outline and a contrast of light and shade, and deal with the relationship between the front and the back, showing the level of the picture.

    拍摄雾景,在曝光量要适当增加1EV,如果想拍摄出具有高调效果的风光照,拍摄时的曝光量可增加1.5——2EV。虽然雾天多为散射光,但我们认真观察阳光的照射方向,还是有逆顺之分的。在顺光情况下,画面宜流于平淡,逆光情况下拍摄雾景,可以增加画面的透视效果。

    Shooting fog scene, in the amount of exposure should be appropriately increased 1EV, if you want to shoot a high effect of the scenery, exposure when shooting can be increased by 1.5 - 2EV. Although the fog is mostly scattered light, but we carefully observe the direction of the sun irradiation, or there is a reverse shun. In the smooth case, the picture should be flat, negative shot fog scene, can increase the picture perspective effect.

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    In this paper, by the Ji'nan art photography training to provide you, our website is: http://www.dysypx.com/ we will provide higher quality service to serve the enthusiasm for you, welcome your visit!